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T H E  O R G A N I C 

Nature  People   Design                                                                                         

J. William Rudd

Few words have been appropriated so widely for description, explanation or allusion as organic.  Such appropriation has included subjects ranging from the sciences to the humanities and the arts and exhibited diversity unlimited by type, time, place, form or scale.  It has included concepts as well as forms, processes as well as organization, objects as well as societies.  While this extreme diversity might, seemingly, result in meaningless diffusion, the question of a shared core of qualities among such a range of references cannot be ignored. 


This eclectic inquiry is an exploration seeking such commonalties.  Focused on the area of design (the fine arts, applied design and architecture) in relationship to the world of ideas and aesthetics, such inquiry must be ever mindful of the human role and especially the influence of nature.  That role has varied from an emphasis on mimesis to abstractions of process to the expression of structure.  Thus as much attention to thought as observation is required, as much exploration of idea as image.  

The organic is neither the ‘right way’ nor the ‘only way’ to describe complex phenomena in design (or the world in general).  Moreover, it is neither the only nor right way to describe such phenomena within the parameters oriented to nature and emphasizing the human role.  It is 'one way' within these parameters to describe and interpret the complex relationship between certain forms, the processes that derive them, the meanings they convey and the role of the human being in this holistic and dynamic act.  

We are pleased to announce that J. William Rudd received the 2002 OUTSTANDING ESSAY AWARD for The Organic: Nature, People, Design.  The Southeast Chapter of the Society of Architectural Historians recently announced the award.

CONTENTS

THE ORGANIC INTRODUCTION

THE ORGANIC FOUNDATION

Chapter 1 — The Historical Context

Chapter 2 — The Organic Concept

Chapter 3 — The Organic Tradition

THE  ORGANIC  CONTEXTS

Chapter 4 — The Natural Context

Chapter 5 — The Cultural Context

MAKING  THE  ORGANIC  ARTIFACT

Chapter 6 —Conceptualization

Chapter 7 —Configuration

MEANING  AND  THE  ORGANIC ARTIFACT

Chapter 8 — Experience and the Organic

Chapter 9 — Interpreting the Organic

Chapter 10 — The Organic Synthesis

AN INTERLUDE — A Photographic Essay on the Organic

THE  ORGANIC  ATTITUDE

Chapter 11 — Nineteenth-Century Attitudes

Chapter 12 — The Organic Attitude

Notes on Literature Related to the Organic

Bibliography

Index

 

About  The  Author

J. William Rudd,

Architect, artist, photographer, and historian, holds degrees from the University of Nebraska (B/Arch) and Northwestern University (MA/Art History).  He has held faculty positions at Texas Tech, Syracuse, Cincinnati, Washington State, and Tennessee Universities.  He has held administrative positions at Cincinnati (Chairman, Department of Architecture), Washington State (Director, School of Architecture), and Tennessee (Dean, College of Architecture and Planning). 

He is a member of the academic honorary, Phi Kappa Phi, as well as a member and Fellow of the American Institute of Architects (emeritus).  He has received an Ohio Governor’s Citation for community service as well as a member of The Architectural Group that received an AIA Cincinnati Design Honor Award.  Both were in recognition for the design and construction of the Lincoln Heights, Ohio Community Facilities Building.  He has also received two Presidential Citations from AIA Tennessee.  In 1994 he served as a Fellow at the Daniel Center (Genoa, Italy) of Clemson University’s College of Architecture

He has authored numerous articles and essays on modern architecture and art, architectural history, theory, design, and education in addition to exhibiting his constructed abstractions and photographs.  Finally, he has served as a guest lecturer and critic at over 30 educational institutions in the United States, Europe and Australia.  

T H E    O R G A N I C                                                                           

Nature      People      Design     

J. William Rudd

ISBN 0-9700675-5-0     Paperback          242 pages/25 Illustrations 

Copyright 2002            List Price  29.95

 

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